Oil On Canvas, Real Flavor of Old Masters

All Pietro Longhi 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
43267  
A Fortune Teller at Venice, Pietro Longhi
  		 A Fortune Teller at Venice   mk170 circa 1756 Oil on canvas 59.1x48.6cm
43266  
A Nobleman Kissing a Lady-s Hand, Pietro Longhi
  		 A Nobleman Kissing a Lady-s Hand   mk170 circa 1746 Oil on canvas 61.3x49.5cm
22759  
Al Ridotto (mk21), Pietro Longhi
  		 Al Ridotto (mk21)   Olio su tela,60 x 47 cm Biblioteca del Museo della Fondazione Querini Stampalia,Venezia
70952  
Besuch bei einem Lord, Pietro Longhi
  		 Besuch bei einem Lord   Medium Oil on canvas Dimensions Deutsch: 60,9 x 49,5 cm
89632  
Besuch bei einem Lord, Pietro Longhi
  		 Besuch bei einem Lord   1746(1746) Medium oil on canvas cyf
85538  
Besuch bei einem Lord, Detail, Pietro Longhi
  		 Besuch bei einem Lord, Detail   Date c. 1746(1746) Medium Oil on canvas cjr
87363  
Besuch bei einer Dame, Pietro Longhi
  		 Besuch bei einer Dame   Date 1746(1746) Medium Oil on canvas Dimensions 60,9 x 49,5 cm cjr
92170  
Besuch bei einer Dame, Pietro Longhi
  		 Besuch bei einer Dame   1746(1746) Medium oil on canvas Dimensions 60,9 X 49,5 cm cyf
89013  
Besuch in der Bibliothek, Pietro Longhi
  		 Besuch in der Bibliothek   c. 1741(1741) Medium oil on canvas Dimensions 59 x 44 cm cjr
92599  
Casino, Pietro Longhi
  		 Casino   1720 - 1790 Medium oil on canvas Dimensions 85 X 101.5 cm (33.5 X 40 in) cjr
59669  
Clara the rhinoceros, Pietro Longhi
  		 Clara the rhinoceros   Clara the rhinoceros by Pietro Longhi, from 1751 (Ca' Rezzonico).
91815  
Dame bei der Schneiderin, Pietro Longhi
  		 Dame bei der Schneiderin   c. 1760(1760) Medium oil on canvas Dimensions 68 X 56 cm cjr
90197  
Dame bei der Toilette, Pietro Longhi
  		 Dame bei der Toilette   c. 1760(1760) Medium oil on canvas Dimensions 61 x 50 cm cjr
91814  
Das Familienkonzert, Pietro Longhi
  		 Das Familienkonzert   c. 1752(1752) Medium oil on canvas Dimensions 62 X 50 cm cjr
90106  
Das Rhinozeros, Pietro Longhi
  		 Das Rhinozeros   1751(1751) Medium oil on canvas cjr
75634  
Der Apotheker, Pietro Longhi
  		 Der Apotheker   . 1752 Oil on canvas 60 ?? 48 cm cjr
77432  
Der Apotheker, Pietro Longhi
  		 Der Apotheker   Date Deutsch: um 1752 English: c. 1752 Medium Oil on canvas Dimensions Deutsch: 60 ?? 48 cm cyf
91812  
Der Friseur, Pietro Longhi
  		 Der Friseur   c. 1760(1760) Medium oil on canvas Dimensions 63 X 51 cm cjr
89734  
Der Jager und die Bauerinnen, Pietro Longhi
  		 Der Jager und die Bauerinnen   c. 1750(1750) Medium oil on canvas Dimensions 60 x 48 cm cjr
87341  
Der Scharlatan, Pietro Longhi
  		 Der Scharlatan   Date 1757(1757) Medium Oil on canvas Dimensions 62 x 50 cm cjr
91802  
Der Spaziergang zu Pferd, Pietro Longhi
  		 Der Spaziergang zu Pferd   c. 1752(1752) Medium oil on canvas Dimensions 62 X 58 cm cjr
91854  
Die Alchemisten, Pietro Longhi
  		 Die Alchemisten   c. 1757(1757) Medium oil on canvas Dimensions 61 X 50 cm cjr
89470  
Die Ankunft des Signore, Pietro Longhi
  		 Die Ankunft des Signore   1765-1770 Medium oil on canvas Dimensions 62 x 50 cm cyf
91801  
Die Furlana, Pietro Longhi
  		 Die Furlana   c. 1750(1750) Medium oil on canvas Dimensions 62 X 51 cm cjr
91800  
Die Morgenschokolade, Pietro Longhi
  		 Die Morgenschokolade   1775-1780 Medium oil on canvas Dimensions 60 X 47 cm cjr
91798  
Die Polenta, Pietro Longhi
  		 Die Polenta   c. 1740(1740) Medium oil on canvas Dimensions 61 X 50 cm cjr
91809  
Die Schule der Arbeit, Pietro Longhi
  		 Die Schule der Arbeit   c. 1752(1752) Medium oil on canvas Dimensions 62 X 50 cm cjr
91808  
Die Verkauferin der Essenzen, Pietro Longhi
  		 Die Verkauferin der Essenzen   c. 1756(1756) Medium oil on canvas Dimensions 61 X 51 cm cjr
91840  
Die Versuchung, Pietro Longhi
  		 Die Versuchung   c. 1750(1750) Medium oil on canvas Dimensions 61 X 49,5 cm cjr
91694  
Die Wahrsagerin, Pietro Longhi
  		 Die Wahrsagerin   c. 1752(1752) Medium oil on canvas cjr
2576  
Exhibition of a Rhinoceros at Venice, Pietro Longhi
  		 Exhibition of a Rhinoceros at Venice   c1751 National Gallery, London
56121  
exhibition of a rhinoceros at venice, Pietro Longhi
  		 exhibition of a rhinoceros at venice   mk247 c.1751,oil on canvas,23.75x18.5 in,60.5x47 cm,national gallery,london,uk
23353  
Exhibition of a Rhinoceros at Venice (nn03), Pietro Longhi
  		 Exhibition of a Rhinoceros at Venice (nn03)   c 1751 Oil on canvas 60 x 47 cm 23 1/2 x 18 1/2 in National Gallery London
96870  
Flora with Amor on a cloud, Pietro Longhi
  		 Flora with Amor on a cloud   17th century Medium oil on canvas cyf
85123  
Gemaldeserie, Pietro Longhi
  		 Gemaldeserie   Date 1765-1770 Medium Oil on canvas Dimensions 62 x 50 cm cjr
93913  
Gemaldeserie, Pietro Longhi
  		 Gemaldeserie   1765-1770 Medium oil on canvas Dimensions 61 x 49,5 cm cjr
91807  
Im Gemusegarten an der Flubmundung, Pietro Longhi
  		 Im Gemusegarten an der Flubmundung   c. 1759(1759) Medium oil on canvas Dimensions 62 X 50 cm cjr
45578  
In the Gemusegarten at the Flussmundung, Pietro Longhi
  		 In the Gemusegarten at the Flussmundung   mk186 around 1759 Venice
89763  
Kleines Konzert, Pietro Longhi
  		 Kleines Konzert   1741(1741) Medium oil on canvas Dimensions 60 x 48 cm cjr
41208  
Masked venetians in the Ridotto, Pietro Longhi
  		 Masked venetians in the Ridotto   mk157 c.1757 Biblioteca Querini Stampalis
30621  
Masks in the Foyer, Pietro Longhi
  		 Masks in the Foyer   mk68 Oil on canvas Venice,Querini Stampalia Foundation c.1757 Italy
76408  
Portrait of Francesco Guardi, Pietro Longhi
  		 Portrait of Francesco Guardi   1764(1764) Oil on canvas 132 ?? 100 cm (52 ?? 39.4 in) cjr
78275  
Portrait of Francesco Guardi, Pietro Longhi
  		 Portrait of Francesco Guardi   1764(1764) Medium Oil on canvas Dimensions 132 x 100 cm (52 x 39.4 in) cyf
79516  
Portrait of the family Sagredo, Pietro Longhi
  		 Portrait of the family Sagredo   ca. 1752(1752) Oil on canvas 61 x 50 cm (24 x 19.7 in) cjr
81284  
Portrat der Familie Sagredo, Pietro Longhi
  		 Portrat der Familie Sagredo   1752(1752) Medium Oil on canvas Dimensions 61 x 50 cm (24 x 19.7 in) cyf
76697  
Portrat einer Patrizierfamilie, Pietro Longhi
  		 Portrat einer Patrizierfamilie   ca. 1752(1752) Oil on canvas 62 ?? 50 cm (24.4 ?? 19.7 in) cjr
79651  
Portrat einer Patrizierfamilie, Pietro Longhi
  		 Portrat einer Patrizierfamilie   1752(1752) Medium Oil on canvas Dimensions 62 x 50 cm (24.4 x 19.7 in) cyf
89522  
Portrat einer venezianischen Familie, Pietro Longhi
  		 Portrat einer venezianischen Familie   1760-1765 Medium oil on canvas Dimensions 80 x 89 cm cjr
93912  
Portrat einer venezianischen Familie, Pietro Longhi
  		 Portrat einer venezianischen Familie   1760-1765 Medium oil on canvas Dimensions 80 x 89 cm cjr
59671  
The Charlatan,, Pietro Longhi
  		 The Charlatan,   The Charlatan, 1757.
2575  
The Confession, Pietro Longhi
  		 The Confession   1755 Galleria degli Uffizi, Florence
29985  
The Confession, Pietro Longhi
  		 The Confession   mk67 Oil on canvas 24x191/2in Uffizi,
70957  
The Confession, Pietro Longhi
  		 The Confession   The Confession, Oil on canvas, 61 x 50 cm
59670  
The Dancing Lesson, Pietro Longhi
  		 The Dancing Lesson   "La lezione di danza" (The Dancing Lesson), ca 1741, Venezia, Gallerie dell'Accademia.
45673  
The geography hour, Pietro Longhi
  		 The geography hour   mk186 1752 Vendig, Fondazione Querini Stampalia
41150  
The Hairdresser and the Lady, Pietro Longhi
  		 The Hairdresser and the Lady   mk157 c.1760 Oil on wood 63x51cm
40549  
The introduction, Pietro Longhi
  		 The introduction   mk156 1740 Oil on canvas 66x55cm
20708  
The Introduction (mk05), Pietro Longhi
  		 The Introduction (mk05)   Canvas 25 1/2 x 19 1/2''(65 x 50 cm)Assigned to the Louvre in 1950
41212  
The Marriage, Pietro Longhi
  		 The Marriage   mk157 before 1755 Oil on canvas 62x50cm
89312  
The Milliner, Pietro Longhi
  		 The Milliner   c. 1746(1746) Medium Oil on canvas Dimensions 61 x 49,5 cm cjr
45626  
The Morgenschokolode, Pietro Longhi
  		 The Morgenschokolode   mk186 1775-80 Venice, Ca' Rezzonico
45508  
The Polenta, Pietro Longhi
  		 The Polenta   mk186 around 1740 Venice, Ca-Rezzonico
31349  
The Rhinoceros, Pietro Longhi
  		 The Rhinoceros   nn07 1751 Oil on canvas, 62 x50 cm Ca' Rezzonico, Venice
33797  
The Rhinoceros, Pietro Longhi
  		 The Rhinoceros   mk86 c.1751 Oil on canvas 62x50cm Venice,Ca'Rezzonico
40558  
The Rhinoceros, Pietro Longhi
  		 The Rhinoceros   mk156 1751 Oil on canvas 62x50cm
45454  
the school of the work, Pietro Longhi
  		 the school of the work   mk186 around 1752 Venice Ca-Rezzonico
29644  
The Spice-vendor s shop, Pietro Longhi
  		 The Spice-vendor s shop   c. 1752 Oil on canvas, 60 x 48 cm
30616  
The Spice-Vendor's Shop, Pietro Longhi
  		 The Spice-Vendor's Shop   mk68 Oil on canvas Venice,Accademia Gallery c.1752 Italy
30617  
The Spice-Vendor's Shop, Pietro Longhi
  		 The Spice-Vendor's Shop   mk68 Oil on canvas Venice,Accademia Gallery c.1752 Italy
33798  
The Tooth-Puller, Pietro Longhi
  		 The Tooth-Puller   mk86 c.1746-1752 Oil on canvas 50x62cm Milan,Pinacoteca di Brera
45670  
The visit in the lord, Pietro Longhi
  		 The visit in the lord   mk186 1746 New York, Metropolitan museum
41151  
Visit of the Bauta, Pietro Longhi
  		 Visit of the Bauta   mk157 c.1760-70 Oil on wood 62x50cm
Pietro Longhi
1702-1785 Italian Pietro Longhi Galleries Pietro Longhi was born in Venice in the parish of Saint Maria, first child of the silversmith Alessandro Falca and his wife, Antonia. He adopted the Longhi last name when he began to paint. He was initially taught by the Veronese painter Antonio Balestra, who then recommended the young painter to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day for both religious and genre painting. He was married in 1732 to Caterina Maria Rizzi. Among his early paintings are some altarpieces and religious themes. In 1734, he completed frescoes in the walls and ceiling of the hall in Ca' Sagredo, representing the Death of the giants. Henceforward, his work would lead him to be viewed in the future as the Venetian William Hogarth, painting subjects and events of everyday life in Venice. The gallant interior scenes reflect the 18th century's turn towards the private and the bourgeois. Many of his paintings show Venetians at play, such as the depiction of the crowd of genteel citizens awkwardly gawking at a freakish Indian rhinoceros (see image). This painting chronicles Clara the rhinoceros brought to Europe in 1741 by a Dutch sea captain and impresario from Leyden, Douvemont van der Meer. This rhinoceros was exhibited in Venice in 1751. There are two versions of this painting, nearly identical except for the unmasked portraits of two men in Ca' Rezzonico version. Ultimately, there may be a punning joke to the painting, since the young man on the left holds aloft the sawed off horn (metaphor for cuckoldry) of the animal. Perhaps this explains the difference between the unchaperoned women. Other paintings chronicle the daily activities such as the gambling parlors (Riddoti) that proliferated in the 18th century. In some, the insecure or naive posture and circumstance, the puppet-like delicacy of the persons, seem to suggest a satirical perspective of the artists toward his subjects. Nearly half of the figures in his genre paintings are faceless, hidden behind Venetian Carnival masks. Like Crespi before him, Longhi was commissioned to paint seven canvases documenting the seven Catholic sacraments. Longhi is well-known as a draughtsman, whose drawings were often done for their own sake, rather than as studies for paintings. Pietro's son, Alessandro, was also an accomplished painter. A paraphrase of Bernard Berenson states that "Longhi painted for the Venetians passionate about painting, their daily lives, in all dailiness, domesticity, and quotidian mundane-ness. In the scenes regarding the hairdo and the apparel of the lady, we find the subject of gossip of the inopportune barber, chattering of the maid; in the school of dance, the amiable sound of violins. It is not tragic... but upholds a deep respect of customs, of great refinement, with an omnipresent good humor distinguishes the paintings of the Longhi from those of Hogarth, at times pitiless and loaded with omens of change".



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